Henry Heath - Lithographer

Henry Heath was a draughtsman, an etcher of political caricatures and a lithographer, who switched from etching to lithography in 1831 (information © Trustees of the British Museum). He worked as an engraver from about 1824-30. An advertisement in the London Literary Gazette of 1831 (No 742, April 9th, p237) publicises an offer from Charles Tilt of London: The Art of Tormenting; a series of Illustrations (by H Heath) of the most approved Methods of excelling in this valuable acquisition: comprised in Forty-four Subjects. This series of engravings was part of the overall Caricaturist’s Scrapbook portfolio, also published by Tilt, in 1840.

Gray’s Pottery and Heath’s Caricature Scrapbook

At some time during the early years of Gray’s Pottery, it is likely that AE Gray acquired a copy of Heath’s Caricature Scrapbook. It has 60 pages. Each page, produced from a copper printing plate, measures 400x275mm (16″x11″). In the 1980s, one of the original plates, No 4 The Art of Tormenting section, was given by AE Gray’s son Robin to The Potteries Museum in Stoke-on-Trent, England.

Because Heath’s engravings were designed for book use, they became reversed images when applied to pottery in the process described in the introduction to Prints & Verses. For this reason, any text accompanying the image was removed. The only exception appears to be in Scenes in London No 42 where a large barrel of Old Tom gin appears in the background. On Gray’s pots using this print, such as tankards (pattern A8904 and an unknown un-enamelled pattern ) or the puzzle jug (pattern A9010), the words appear reversed. (See below).

Extract from the 1831 London Literary Gazette – original in the Library of Princeton University, digitised by Google.

Based on records to date, Gray’s lowest pattern number to have a Heath print is A8651, a design dating from about 1948. The prints then continue to appear on later A8000 series numbers and throughout the A9000 series. One ‘D’ series number, D1477, from the mid-to-late 1950s, is the youngest recorded pattern with a Heath print. Note that a news feature in a 1951 Pottery Gazette magazine (June p.924) illustrates three different prints, captioned as follows: “Scenes from Dickens” – Interesting examples from a new Dickens series comprising tankards, goblets, candy boxes, trays, butters, teaware, etc. The scenes are from old book engravings, and all pieces are available in print-and-enamel decorations (illustrated) or as plain prints as desired.

An early lidded box has been recorded which has a Heath print. The box , in pink splashed lustre and carrying the First Galleon backstamp B1, has the print Sayings & Doings No 3(3).Unfortunately, it has no pattern number. A clue to its date may be given by a similar box decorated with pattern 9234 from 1930 and which has a unique backstamp. The conclusion can be drawn that Gray’s Pottery was using Heath prints from as early as the 1930s and as late as the mid-1950s.

To illustrate the origin and context of Heath’s illustrations, and to provide possible amusement!, the full texts are included as part of the images in the various sections which follow.

Sayings & Doings No 3(3) print
Pattern 9234 on a similar lustre box
Sayings & Doings No 3(3)
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